New Tools of the Trade

Updating the Instruments on Wutjavia is overdue. Allow me to show you new members of my musical tool box here, as I have added them to the Instruments page.

I have always wanted a Taylor Guitar! I’ve played them several times at music stores and have a couple family members who own them. I have played those as well. I love the sound. They have great action, and are beautiful as well.

Unfortunately, my Gibson B-45 12-string no longer functions even close to performance level. At least 20 years ago the neck began to detach from the body. I had a luthier who was able to restore its function, but I could no longer keep it at the normal E tuning. I stepped it down to D, attempting to lengthen its usable life, but not a complete fix.

Late last year I became aware of Taylor running a year-end sale; buy a qualifying guitar and get a choice from another list for up to 70% off list price. I’d had my eye on a 12-string for months, having played it at a guitar store in Minnesota. This might be the time to jump in. I selected Model 352ce to replace the Gibson.

For the “sale” guitar, I selected a Taylor GS Mini-e Koa, sight and sound unseen or heard. What a pleasant surprise! Its beautiful Koa wood body only enhances the overall quality and sound of this smaller-body instrument. With the included custom gig bag, it travels easily in the back seat or cargo area of my vehicle and produces bright, yet deep sound. It is versatile enough that I can play any song, either native to six or twelve strings.

I picked up these two beauties in early January of this year. Having not seen nor heard either guitar prior to purchase, I can say that I am thrilled with their workmanship, sound, look, feel, and playability.

Playing at Galilean in June confirmed my concern with my Alvarez Yairi. You can read about it, and how I selected it, on the Instruments page of this site. I love this guitar and have created and played numerous songs with it since purchasing it in 1997. Wow! That’s 26 years ago. Recently, though, it has been misbehaving. Adjusting the neck/action, and keeping it in tune – especially during performances – has become a frustrating distraction.

Consequently, I made a trip to a guitar store that I knew had several Taylor guitars of varying price levels, in stock. A funny side story developed as I began trying to test some of the options. Most of the Taylor guitars were on locked wall brackets. The salesperson was only allowed to unlock one at a time, making it difficult to compare sound and action between models. I finally complained and ended up being assisted by the store manager who had the authority to unlock multiple guitars for me to test.

I spent between two and three hours playing the same songs on various models, winnowing the field, eventually down to two models with one being significantly more expensive. Ultimately, there was no doubt that the Taylor 724ce LTD, priced literally thousands of dollars less than the competition, exhibited higher sound quality and playability. It produced sound similar to that of my Yairi, an important consideration when trying to marry its sound with my playing style. Not to mention the beauty of its solid Walnut body! The store manager was in total agreement, saying that the sound from each string rang true and clear.

Meet my Taylor Guitars, Stitch, Double-Stitch, and Anchor (stitch).

There is yet another addition to my toolbox, a Breedlove Pursuit Concert CE NY. Purchased prior to Anchor, I was looking for an option specifically to address my finger-picked songs. I hoped to gain a different sound for softer songs, while providing increased playability with a wider neck and more flexible, nylon strings. This is a Classical style guitar that I use to develop sound and practice with less left-hand stress. I have not used it in performance, but I don’t rule out that option. I also anticipate new music emanating from its use.

So here they are; my updated musical toolbox contents. Those who have heard them played have commented on my sound, a sound that I greatly attribute to the tools I use to create it. I am composing, practicing, and playing with a renewed zeal. And I look forward to performing, with eyes on various venues in 2024.

Thanks for allowing me to introduce you to the new members of my musical family.