Assessment and the Amanas

I was still assessing and evaluating last week’s performances while driving between routine medical appointments Wednesday morning, the latter being in Hiawatha IA on the north end of Cedar Rapids. As expected, I had the initial letdown through last weekend. But the funk lingered into this week.

I was pleased with my performance on Friday of last week. I played as well as I hoped. Not completely error-free, but with only minor hand coordination mistakes that I doubt were noticed by the audience. I did, in fact, remember all the words. Everyone stayed for the entire performance, allaying my second deepest fear that people would just get up and walk out. “And the first?”, you ask, was that I would get lost mid-song and freeze up. How embarrassing!

But I was less than satisfied with people’s response to the songs. One person’s comment was that old people don’t want to hear sad songs. I thought I had left those out of the playlist! Another clearly disliked what is probably my most popular song, Bad Habit Creatures. But I suspect it was a political dislike. Most who attended liked it over the other songs.

Returning home that afternoon, I felt numb. Part of it was having worked so hard in preparation, just to have it over in less than one hour. But it also felt empty. Of course, I had achieved what I set out to do, play in public, having an opportunity to share my stories through song.

What I realized over the next few days was that I didn’t enjoy it. I didn’t enjoy having to pare down my playlist and manipulate it to fit what I thought was the audience I was playing to. I didn’t enjoy practicing only specific songs in hopes of playing ‘well enough’ for that particular crowd. I didn’t enjoy worrying about whether my music would be accepted or appreciated.

By Wednesday, the conclusion I came to was that, though I accomplished this project that I set out to do, I was not being true to my original goal and commitment of just playing what I want, when I want, where I want. What I want is to be able to just play. Play the songs I want as my mood dictates. Like it or don’t. That I can handle.

Still, I was unsettled as I sat in the parking lot in Hiawatha trying to figure out what to do next on this Wednesday afternoon. I had no reason to rush home. I decided to make the trek to The Amana Colonies about 20 miles SW of where I sat. I had read an article in Only In Iowa just that morning about a hotel in Homestead, the only Amana Colony without the word Amana in its name. I thought it might make for a little get-away sometime where I could stay as a base for branching out to tour all of the colonies. I’d been through them, but only briefly in most.

My second motive for going was to pick up some wonderful smoked salami’s at the Amana Meat Shop and Smokehouse. That place is so much fun for a guy like me. So many meat, cheese, and kitchen gadget choices. Plenty of other tasty morsels as well. As usual, I came out with more than I went in for.

Having increased my groceries and decreased my bank account, I sat in the car again, planning to head for Homestead, just a few miles away. But it’s almost past lunch time. Surely there are places to eat in Amana. Then I remembered that Millstream Brewing Company, the first craft beer establishment in Iowa, had added a brew pub, “Millstream Brau Hous.” Since I’d never been there, I decided to go.

Somewhat typical in style, but with the cultural design on the exterior as well as the interior, I was greeted and ushered to a window-side table. Sitting down, my eyes immediately fixed on a blonde Ibanez guitar hanging on the wall on the other side of the room near the bar. There were few people in the room. I asked if someone played it. It belongs to the owner and is there for anyone to play.

That was all it took. I quickly ordered my burger, fries, and Widow Maker hazy IPA, and headed for the guitar. Nice tone. New strings. Sounds good. I planted myself on a bar stool facing the bar, and began to play. It came easy. It sounded good. I was having fun. I barely noticed that my food had arrived across the room.

However, the beer was not at the table. I finally went to the bar to ask for it. The server apologized, saying he was distracted, enjoying the music, and forgot. I took that as a compliment.

After enjoying the food and quaff, I went straight back to the Ibanez. I noticed the bar tender tapping his hand on his thigh as I played an instrumental riff that I enjoy. Turns out he is also a musician.

Returning to the table to pay the tab, the two ladies at the table next to me expressed their appreciation of my playing. That’s the effect I am going for.

My assessment complete. My analysis spot on. I never wanted to be a performer, though I like to play for people, hoping they enjoy and get something out of the listening. I just want to play my songs whenever and wherever I can. Be it in the garage, in parks, in brew pubs or coffee houses. I’m not in it for the gigs. Now I remember the vision and the commitment. I hope to be true to it.


On to Homestead Iowa. Home town to Ashton Kutcher. Homestead is literally a one street town with its homes and businesses lining it. Stop signs only at the two ends of the half-mile long road. I found the hotel about 3/4 of the way through town. It had a for sale sign on it. So much for that cozy getaway.

Just drive on home. Play my guitar. It’s a good day. I’m back on track.

Wut Javia on a Break

Hi all. It’s 11 a.m. this Saturday morning and I am still processing this week’s performances and want to wait on the report. Please stay tuned for next week’s post. No need to “Read More.” It isn’t there.

PPA:

It’s a TLI
PA: It’s also a TLI, or a TLA

I used to do this in the classroom. There were so many abbreviations. In my jargon, a TLA is a three-letter acronym – and also a two-letter acronym. But I know that actually, PPA is not a three-letter acronym. It’s a three-letter initialism.

Acronym

a word (such as NATO, radar, or laser) formed from the initial letter or letters of each of the successive parts or major parts of a compound term

Merriam Webster Dictionary

Initialism

an abbreviation formed from initial letters

Merriam Webster Dictionary

“Okay”, you might say, “Wut’s this all really about?” Well, I thought I might be coining a new acronym/initialism, but once again, Google search saved me from embarrassment.



PPA is an initialism for Pre-Performance Anxiety. According to WebMD, pre-performance anxiety is stress and anxiety about performing in front of people and causes performance anxiety. PA can be considered either an initialism or an acronym since its letters also form a colloquialism for father. Performance Anxiety is also known as stage fright.

Now do you see where I’m headed with this? I now have two performances scheduled for next week. On Thursday I will participate in an open mic at Sidekick Coffee & Books in Iowa City. I recently added this venue after previously committing to the 55+ Connections Lunch at the North Liberty Recreation Center.

I’ve known about the 55+ gig for some time and have been practicing a set of songs that I hope will engage and somehow positively affect the lives of those who attend. Now that the time is near at hand, I find myself second guessing. Are my music and lyrics really “good” enough for public consumption? Is my presentation polished enough to expose myself to scrutiny? Will my aging, stiff fingers work!!!? On the up side, I do think I’ll remember the words.

I am not self-absorbed enough to think I am the only person who experiences performance anxiety (stage fright). I immediately think of my 13-year-old granddaughter who landed a major part in a community theater musical that opens next Friday, the same day as my 55+ performance. Break a leg, E! And there are others in my immediate sphere who have upcoming meetings and interviews who may deal with similar anxieties.

I found an interesting article, Get excited: reappraising pre-performance anxiety as excitement, on the National Library of Medicine website. Just reading the abstract helped me reframe my perspective:

Abstract

Individuals often feel anxious in anticipation of tasks such as speaking in public or meeting with a boss. I find that an overwhelming majority of people believe trying to calm down is the best way to cope with pre-performance anxiety. However, across several studies involving karaoke singing, public speaking, and math performance, I investigate an alternative strategy: reappraising anxiety as excitement. Compared with those who attempt to calm down, individuals who reappraise their anxious arousal as excitement feel more excited and perform better. Individuals can reappraise anxiety as excitement using minimal strategies such as self-talk (e.g., saying “I am excited” out loud) or simple messages (e.g., “get excited”), which lead them to feel more excited, adopt an opportunity mind-set (as opposed to a threat mind-set), and improve their subsequent performance. These findings suggest the importance of arousal congruency during the emotional reappraisal process.

Alison Wood Brooks 
PsycINFO Database Record (c) 2014 APA, all rights reserved

Next week will be a culmination of an extensive period of hoping, dreaming, and preparing that began even before my retirement and Pam’s illness and death. I’ve conveyed many times my desire to “take it on the road” with Pam during our retirement years, using venues as a tour guide for going places and seeing things together. Something we so enjoyed together.

These two gigs also mark the beginning of a new phase of reaching for the dream. Though I have performed at very limited open mic sessions and in front of a friendly audience of family and friends at a church, these are the first true public appearances in front of people whom I don’t know. No one will have heard the songs. No one will know what to expect. At the 55+, I’m not even sure they know that the program is a musician. They only know that there is a program every last Friday of the month.

Success will look like people not walking out during the first song or shortly thereafter. It will look like people looking at me, perhaps nodding with some sort of mutual understanding. Maybe even clapping? Success will catapult me forward in my journey, give me confidence to book other performances, find other ways to get my music out there. Obviously, failure will look and feel quite different.

Therein lies the fear with pre-performance anticipation. I am excited that I have followed through with the commitment to pursue my music. I believe that I have a message of humanness, one that not everyone is willing to share. It happens to be through music. I am fearful that my musical message will not be received, even though those who have listened have encouraged me.

Performance anxiety, stage fright, is another matter. My mouth gets dry, my heart rate goes up (even more than when I just play the songs), and I have trouble staying focused. My eyes and ears seem to work overtime to ferret out any peculiar distracting input, of which there are ample, when one is on stage. Practice, even trying to imagine myself at the venue, helps. Just thinking about looking out over the audience during practice is enough to distract me. Thus, the more I do it, the better I will be able to focus – I hope.

Again, none of this is unique to me. I am sure that many of you can relate at some level. And again, I am just egocentric enough to think it’s worth writing about. That you might enjoy the reading, and maybe get something worthwhile out of it.

By this time next week, all of the anticipation, anxiety, excitement, and of course, the performances will be over. I will have an emotional let down, as I always do. I will review and evaluate the outcome. Then I will pick myself up and figure out the next plan. Yet I have made a greater commitment – to Pam:

I will go on. I will be okay.